Beautiful cherry blossom at a local shrine.
Thursday, April 05, 2007
Wednesday, April 04, 2007
Too cool for school
I showed this to a few other teachers and friends. Their first reaction was "Yakuza".
The power of lighting!
Posts will be scarce (and have been) as I am planning on moving house this month and madly throwing away, planning and organizing. The new place has great internet connection, it's right next to a big park and gets the morning sun. It is in the middle of the city but quiet, the appartment managers are friendly and allow pets and home renovation, and it's not expensive. Anyone who has rented in Japan will tell you, that's a good deal!
Tuesday, March 20, 2007
Monday, March 19, 2007
Street Show
This took place on Sunday beneath the 'Maneki Neko' (welcoming cat) in Kamimaezu, Nagoya. This is a regular event at which street performers entertain the passing crowd. When finished, they pass around the hat, tin or bag for 'appreciation money'.
"Please remember, this is a living for us, so fold the notes neatly and drop them in."
日曜日に名古屋の一番古い商店街で(大須・上前津)第度芸人のエベントがありました。毎週の日曜日はみえます。
Thursday, March 15, 2007
Wednesday, March 14, 2007
The Gift Horse
As an old chinese lady once told me: "4 eyes, still can't see".
I just noticed this on the 'dashboard' (managing) space on this blog:
"Ever wanted to see all the photos you've uploaded to your blog in one place? Head over to Picasa Web Albums and now you can! We've been working closely with the Picasa team on this project - all the photos you've uploaded since December will appear in an album there, and we're working on migrating your older photos as well. (It'll take a while though - there are a lot of them.)"
So I followed the link, signed in, and found the terms of agreement, from which I extracted this little nugget:
"By submitting, posting or displaying Content on or through Picasa Web Albums, you grant Google a worldwide, non-exclusive, royalty-free license to reproduce, adapt, distribute and publish such Content through Picasa Web Albums, including RSS or other content feeds offered through Picasa Web Albums, and other Google services.
In addition, by submitting, posting or displaying Content which is intended to be available to the general public, you grant Google a worldwide, non-exclusive, royalty-free license to reproduce, adapt, distribute and publish such Content for the purpose of displaying, distributing and promoting Google services."
I am not so blind that I can't see a sweet deal for Picasa. You will note from the first extract that all the photos I have uploaded since December are supposedly in a file already. Presumably Google/Picasa could now use any one of them for their own promotion without paying a thing. Not that they are likely to use any of mine, but there are professional photographers blogging on this same service.
The freedom that a free blog hosting service such as this offers has allowed me to explore the web more constructively, to practice a little web presentation and to play with a variety of designs without having to learn a new coding language first. Thanks. Great while it lasted, but if this is the way they plan to take it I think it may be time to move on. The other option is to watermark and downsize all photos before uploading. Certainly simpler.
It is naive to think that any image uploaded onto the web is not open to being copied and used elsewhere, but are you really going to sign over the rights to your image to an organisation that has an intent to use them?
I just noticed this on the 'dashboard' (managing) space on this blog:
"Ever wanted to see all the photos you've uploaded to your blog in one place? Head over to Picasa Web Albums and now you can! We've been working closely with the Picasa team on this project - all the photos you've uploaded since December will appear in an album there, and we're working on migrating your older photos as well. (It'll take a while though - there are a lot of them.)"
So I followed the link, signed in, and found the terms of agreement, from which I extracted this little nugget:
"By submitting, posting or displaying Content on or through Picasa Web Albums, you grant Google a worldwide, non-exclusive, royalty-free license to reproduce, adapt, distribute and publish such Content through Picasa Web Albums, including RSS or other content feeds offered through Picasa Web Albums, and other Google services.
In addition, by submitting, posting or displaying Content which is intended to be available to the general public, you grant Google a worldwide, non-exclusive, royalty-free license to reproduce, adapt, distribute and publish such Content for the purpose of displaying, distributing and promoting Google services."
I am not so blind that I can't see a sweet deal for Picasa. You will note from the first extract that all the photos I have uploaded since December are supposedly in a file already. Presumably Google/Picasa could now use any one of them for their own promotion without paying a thing. Not that they are likely to use any of mine, but there are professional photographers blogging on this same service.
The freedom that a free blog hosting service such as this offers has allowed me to explore the web more constructively, to practice a little web presentation and to play with a variety of designs without having to learn a new coding language first. Thanks. Great while it lasted, but if this is the way they plan to take it I think it may be time to move on. The other option is to watermark and downsize all photos before uploading. Certainly simpler.
It is naive to think that any image uploaded onto the web is not open to being copied and used elsewhere, but are you really going to sign over the rights to your image to an organisation that has an intent to use them?
White Day
The above are some scenes from the frantic buying session the night before. If they look irregularly lit, it's because (sadly) they are.
(edit) And I just realised I had left the colour temperature on a high setting after snapping a sunset the night before, giving the pics that red hue. 頭ぐちゃぐちゃ。
Tuesday, March 13, 2007
Ignored space
Thursday, March 08, 2007
Blinkers
One of the most disturbing realisations for a foreigner living in Japan is (the realisation of) the way that foreigners are viewed by the Japanese. Depending on the person and the situation, one can go from being the embodyment of foreign cool to the sh*t on the sole of someones shoe.
I wouldn't claim that the Japanese are unique in this 'viewing' of the outsider, but like the tea ceremony, the Japanese have taken a simple thing and made an art form from it. Unlike the tea ceremony however, there is no good that can come of this, for either the foreigners or the Japanese themselves.
When you first arrive in japan, you get used to the epithet "Gaijin" (外人), an abbreviated form of "Gaikokujin" (外国人). If we look at the (chinese) characters that represent the sounds and the concept, we see that Gai (外) can be translated as 'outside', Koku (国) as 'country' and Jin (人) as 'person'. So what is the big deal about being called foreigner?
In short, nothing. However... regardless of your nationality, your level of Japanese, your involvement in the activities of daily life in Japan, or your ability to use chopsticks, you will always be a Gaijin before a native of your own country. So, for example, I will be recognised (seen) as a Gaijin before being recognised as English.
This conversation is old and tired. One might point out that ones friends don't refer to you as a gaijin. Another may say they are not discriminated against or offended by this, and why should they be? I agree, to a point. But here's the rub. This little epithet has a dark side. It is the gateway to the nationalism that is lurking in the Japanese body politic.
The foreigner as meat. The foreigner as a resource to be used and displayed. This is the dark side of Japanese history that this article refers to, and as you read it you will notice that it is an ongoing struggle to have people recognised as people, with rights the same as any other.
Denial is to politics like wetness to the ocean. This being said however, it is shocking to see such denial, and sad to see the same denial on the faces of those who should know better, or to see the ignorance of a population that, by leaving their fate in the hands of deniers, are tarring themselves with the same brush.
Not all people are ignorant, and not all deny, just as not all call me a Gaijin. I should hate such a realisation to affect the way I take photographs in Japan. I would hate to become one of the long time foreign residents of Japan whose bitterness chains them to this country (thankfully I have met only two people like that in 7 years).
I wouldn't claim that the Japanese are unique in this 'viewing' of the outsider, but like the tea ceremony, the Japanese have taken a simple thing and made an art form from it. Unlike the tea ceremony however, there is no good that can come of this, for either the foreigners or the Japanese themselves.
When you first arrive in japan, you get used to the epithet "Gaijin" (外人), an abbreviated form of "Gaikokujin" (外国人). If we look at the (chinese) characters that represent the sounds and the concept, we see that Gai (外) can be translated as 'outside', Koku (国) as 'country' and Jin (人) as 'person'. So what is the big deal about being called foreigner?
In short, nothing. However... regardless of your nationality, your level of Japanese, your involvement in the activities of daily life in Japan, or your ability to use chopsticks, you will always be a Gaijin before a native of your own country. So, for example, I will be recognised (seen) as a Gaijin before being recognised as English.
This conversation is old and tired. One might point out that ones friends don't refer to you as a gaijin. Another may say they are not discriminated against or offended by this, and why should they be? I agree, to a point. But here's the rub. This little epithet has a dark side. It is the gateway to the nationalism that is lurking in the Japanese body politic.
The foreigner as meat. The foreigner as a resource to be used and displayed. This is the dark side of Japanese history that this article refers to, and as you read it you will notice that it is an ongoing struggle to have people recognised as people, with rights the same as any other.
Denial is to politics like wetness to the ocean. This being said however, it is shocking to see such denial, and sad to see the same denial on the faces of those who should know better, or to see the ignorance of a population that, by leaving their fate in the hands of deniers, are tarring themselves with the same brush.
Not all people are ignorant, and not all deny, just as not all call me a Gaijin. I should hate such a realisation to affect the way I take photographs in Japan. I would hate to become one of the long time foreign residents of Japan whose bitterness chains them to this country (thankfully I have met only two people like that in 7 years).
Independance Day
Saturday, March 03, 2007
You've been promoted
A promotion in the Gold Mountain train station by the Osaka tourist board . Que for 10 minutes to play a game of chance. Win a stuffed toy, have it presented to you by a pink girl. Get promoted.
金山駅で大阪をプロモートする人たち。
Friday, March 02, 2007
Tungsten Morning
Thursday, March 01, 2007
Tuesday, February 27, 2007
Underground
I usually hold back from taking photos of people in such public (yet private) spaces. It feels like an intrusion. Yesterday was liberating. There is a fine balance between intruding on and photographing a scene. In such a space conscious place, it is easy to tip that balance.
他のサイトである写真シーリズ(ここ)を見てから、自分も地下鉄の写真撮りたかった。 地下鉄のようなスペースではよく撮影したことはないです。個人的な所は僕にとって撮影しにくい。人々のスペースに邪魔したくない。けれど昨日初めて楽しんでやりました。よかった。
Sunday, February 25, 2007
Pink girl
In his memoirs of WWII "Slightly out of focus", legendary war photographer Robert Capa (made-up name) used 'Pinky' as a pseudonym for his then girlfriend Elaine Justin. He often refered to her as the pink girl or pinky because of the colour of her hair (really strawberry blonde I think).
戦争写真家ロバート キャパは第二次世界大戦の体験記でガールフレンドのことを”ピンキー”と呼びました。彼女の髪の毛の色であだ名を付けました。この子のピンクじゃなかったかもね。
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