Wednesday, November 29, 2006
How out of place does a tall pasty foreigner look standing in his winter best with a huge cold sore and Digital SLR in a make up sales area? Very. I'm not confident taking candids as I prefer to have the subjects permission first, but my presence and what I was doing could only have been missed by the 'drugged or the determined' (a new film title?).
Art it ain't, but a moment it certainly was.
Wednesday, November 15, 2006
(in japanese only)
this was a quake magnitude 8.1.
Depending upon the area (very wide) the height of the tsunami could reach from between half a meter and a maximum possible height of 7 meters.
The tsunami is expected to strike any time from now (9:20) to 10pm.
In Nagoya we didn't feel a thing. news still coming in. more to follow.
News advises those feeling tremmor to reach high ground fast.
Quake hit the Hinan Islands.
Friday, November 10, 2006
Kanayama (where I is livin') is written with two chinese characters (kanji) 金山: the first means gold, the second means mountain.
The tallest building in Kanayama at the moment is the Kanayama Minami Building. It contains a hotel, office space and a museum and art gallery. It was also built right next to the south exit of the train station, which is where the rockabilly boys come to dance.
The building was completed in 1998. It is 134.4 meters tall with 31 floors above ground and 4 below.
The museum space is a satelite of the Museum of Fine Arts, Boston. The Boston museum signed a 20 year contract to supply exhibition materials to the Japanese site, in return for which the Japanese site paid a cool 50 million U.S dollars. Nice!
A view from the northern side of the station.
The kanayama minami building also houses the Nagoya Urban Institute.
Check the link for a detailed explaination of their urban activities.
The structure in front of the hotel here is the electricity generating wind wall that supplies power to the recently completed open air shopping area, curiously named 'Asunal' in English and 明日なる （Asu-naru） in Japanese. Mitz tells me it's short for '明日元気になる' (ashita genki ni naru). Grrreat.
The curious design of this and other buildings around Nagoya is something I will be coming back to at a later date. Japan seems to be going through a period of architectural confusion. It is a sad thing that the first impression of almost every big city I have been to in Japan was that it could be almost any other big city in Japan. There is no architectural flavour as such, more like an overuse of architectural MSG. City planning? Still, like I say, another time, with some research.
Wednesday, November 08, 2006
This year saw the first ‘All Japan Super Kids Dance Contest’. On Sunday the grand final was held in the outdoor shopping area just down the road from my house in Kanayama, Nagoya. I went for a quick look, but then stayed for a few hours chatting to some of the dancers, the teachers and the passers by.
If you come to Japan you will see them. Not ninjas, dancers. They practice in schools, they practice in parks, and they practice on the street using glass fronted buildings for their studio mirror.
I spoke to Hiro Sakuma, one of the competition judges and a member of the ‘Spartanic Rockers’ dance team who were the winners of the U.K B-boy championship 1998 (and are still going strong). He gave me a brief history of modern dance in Japan.
It began for many, he said, in the 1970’s and 80’s with the American music program ‘Soul Train’ that was aired in Japan. Hiro told me that he used to watch it when he was growing up and that it provided an inspiration for a new generation of dancers. What about the young generation of today? Hiro explained that until about 6 years ago, breakdance was still the most popular form, then Hip-hop and other related styles began to gain popularity until about 3 years ago when the dance craze hit the mainstream.
Why it went mainstream is another story, but I imagine that the (instantly disposable) idols of the J-Pop industry have done their bit to popularize dance. Remember the boy bands of the early nineties? That sort of thing but with more glitter.
So now many people want to learn the new ‘non-classical’ forms of dance. I spoke briefly to an 59 year old lady (not in picture) who had been to see Janet Jackson in concert a few years back and last month signed up for the Hip-hop class at the local dance studio. She had come to the show to support her classmates. What about the younger dancers themselves?
I interrupted two girls during their rehearsal to ask them. Both age 15 and in their final year of Junior High School, they had traveled from Yokohama that morning. One told me that she wants to be a professional dancer, the other that she wants to be a dance teacher. Not at all different to the dreams of many girls of the same age in the U.K. Younger kids that I asked just told me that it was fun.
So now this very free style of dance has broken like a tsunami upon the shores of Japanese culture. I asked Hiro about the place of the more traditional forms of Japanese culture such as Kabuki in modern Japan, he told me quite simply that this is not Kabuki’s time. It’s the time of the ‘Ao Zora Kyoushitsu’, the open air classroom. The message is ‘just go out and do it’ (and yes, Nike were one of the main sponsors of the event)
So who won the competition?
I have no idea. The cat needed feeding and the shopping just wouldn’t wait. Time will tell if this dance craze has ‘got legs’, but for the moment I don’t see it slacking off.